2.12.19

LOS TEMERARIOS, “SI TÚ TE VAS”

19th July, 2008

Wiki | Video

I haven't kept faithful track of the beats per minute of every song on this travelogue, but I'd be surprised if this wasn't the slowest one we've had in a very long time. And while I'm generally an uptempo maniac, paradoxically, low bpms past a certain point stop being dull and start being fascinating again: there's a tension and drama to the pulse when you're forced to wait for it.

Which is to say that this, the swan song of Los Temerarios at the #1 spot (barring unexpected comebacks), is maybe the most arresting of the four songs we've heard from them. Twice we heard them covering Vicente Fernández, and twice singing their own songs, and while they're slightly better at their own work (or maybe they're just not as great as Vicente Fernández at recording Vicente Fernández songs), here they drop the pretense of being even remotely a regional band. the orchestra-plus-guitar production is thoroughly universal, and thoroughly anodyne: so all the focus is on Gustavo Ángel Alba's voice. It's a fine voice, better than Marco Antonio Solís' but not as good as Luis Miguel's.

They had stopped pretending to be a band by this point too; as the A and G in their logo on the album cover indicate, Los Temerarios were Adolfo and Gustavo. The song itself, written by Adolfo Ángel Alba, is rather lame, a sparse introduction followed by three choruses whining about how the singer's world would come crashing down if his lover were to leave: the glacial pace, the trumpet solo, and the gear-grinding key change before the final chorus, invest it with what little structural drama it has. The expensive-looking video, with its elegant desaturation and highly physical models, is a signpost as to the audience Los Temerarios were pitching themselves to now: the music-from-nowhere internationalism of glossy bourgeois pop, among the Eros Ramazzottis, Céline Dions, and (remember, it's 2008) Leona Lewises of the world.

It was only #1 for a week before Flex's bouncier, scrappier, and younger romanticism took back over. Romántica music isn't dead, but it will take different forms in the future.

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