29th February, 1992
I haven't been doing this long enough to really experience the sensation of two titans of the field returning for a joint victory lap, but of course Latin Pop didn't begin in 1986 — the Billboard Latin chart did. Roberto Carlos and Rocío Dúrcal both had much more storied careers than the glimpses we've had, giant unknown (to us) icebergs of careers much greater and deeper than the few measly juts above the waterline we know. But since I haven't (yet) considered it a part of my duty to immerse myself in the full discographies of the artists who attain to the number one spot, all we have to go on is what's broken through that surface.
In comparison to Roberto Carlos' two previous entries, "Si El Amor Se Va" and "Abre Las Ventanas Al Amor," this is a significant improvement (especially on the latter). Where those sounded rather like dusty, plastic-instrumented hymns, this is a living ballad, with a rhythm less stately and more oceanic. It reminds me most, in fact, of Rocío Dúrcal's first appearance (and our inaugural entry), "La Guirnalda," which rode a similar seaside-mariachi rhythm to lovely effect. And while it doesn't rise to the level of her last solo entry, "Como Tu Mujer," which managed to combine mariachi and stateliness to thrilling effect, this is a solid duet, a pair of beautiful performances with an effective if somewhat conventional production.
"Si piensas, si quieres" means "if you think ... if you want," the opening phrases of arguments made by each singer. The occasion of the duet is a possible reunion of separated lovers; each of them is cautious about the idea for different reasons, she because he's broken her heart before, and he because he doesn't want to be tied down. Conventional again; but she's forthright about him having to change his ways, and he weasels around about being a bohemian dreamer in love with life. (Direct translation!) When the song is over, the reunion remains theoretical, conditional, everything hinging on those looming, unbridgeable Ifs.